COACHING
Private coaching for actors, writers, and filmmakers who want practical, high-level guidance rooted in real production experience. My process brings together performance, story, and filmmaking so the work gets stronger at every stage, from the first idea to the final scene.
Because I work as an actor, director, writer, editor, and sound designer, I coach from a complete filmmaking perspective. That means we do not only focus on theory. We focus on what actually works in rehearsal, on set, in the edit, and in the final piece.
Each session is tailored to the student. Some need help with truthful performance and script analysis. Some need structure and clarity in their writing. Some need to understand how to direct, shoot, and shape cinematic work using the tools they already have. The goal is always the same: stronger choices, clearer process, and work that feels specific, alive, and professional.
NEWSLETTER SUBSCRIPTION
The greatest gift is watching the actor grow, in order for that to happen, they have to develop a routine. A career is not achieved by waiting, but by being active and training on a weekly basis -that is what I encourage the actor to do. Thanks to technology, there are various ways we can practice alone, and with fellow actors around the globe.
​
What coaching can include:
• Acting technique and scene study
• Audition and self-tape preparation
• Script analysis, beats, objectives, and character work
• Screenwriting structure, dialogue, and rewriting
• Directing actors and shaping performance

• Mobile filmmaking, composition, movement, and coverage
• Editing, sound, and finishing workflow
• Project feedback and clear next steps
​
​​​​​​
HOW SESSIONS WORK
CLEAR STRUCTURE. REAL FEEDBACK. PRACTICAL RESULTS.
Every session is built around your specific goal. We begin by identifying what you are working on, where you are getting stuck, and what needs the most attention. From there, I give direct feedback, practical adjustments, and guided exercises you can apply right away.
​
A typical session may include:
• Review of your scene, script, or project
• Clear breakdown of what is working and what is missing
• Technical and creative notes
• Guided coaching during the session
• Action steps for practice between sessions
​​​​​​
WORKSHOP
FROM IDEA TO SCREEN
The workshop is designed for students who want a more complete process and a stronger weekly routine. Instead of focusing on one isolated skill, the workshop shows how acting, writing, directing, and filmmaking work together to create a finished scene
Students develop scenes from the ground up, strengthen their craft through repetition, and learn how to turn ideas into cinematic work with clarity and intention. This is not about passive learning. It is about creating, testing, refining, and finishing.
​
What the workshop focuses on:
• Building strong scene ideas
• Writing and rewriting with structure
• Rehearsing performance and listening truthfully
• Directing and filming with intention
• Understanding composition, movement, and sound
• Reviewing work and making improvements week by week
​​​​​​
COACHING
I apply various techniques that have worked for me (Sanford Meisner, Stella Adler, Lee Strasburg, Konstantin Stanislavski, Micheal Checkhov) and added some of my own which include various improv methods. The root of all these techniques is listening.